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| Cooking at the Cookery | |||||||||||||||||||||||||||||||||||||||||||
| Drama Desk-nomination & Barrymore Award | |||||||||||||||||||||||||||||||||||||||||||
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| New York Times review: | |||||||||||||||||||||||||||||||||||||||||||
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"Ms. Walton's energy, athleticism and gift for mimicry and caricature add up to an astonishing individual variety show. She takes on characters from the 8-year-old Alberta to the 80-year-old Barney Josephson; her rendering of a young, male record producer who gets Alberta to contribute to a 1961 anthology is so persuasive that when she stands up from behind a table it's startling to be reminded she's wearing a dress. And in one remarkable duet, ''When the Saints Go Marchin' In,'' performed with Ms. Duquesnay as Hunter in her 20's, Ms. Walton, carrying a trumpet and a towel and baring her teeth, hilariously holds her own as Louis Armstrong." |
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| Boston Globe review: | |||||||||||||||||||||||||||||||||||||||||||
| "Debra Walton is a dynamo; a master of voices with a face that became a human mask that instantaneously changes from female to male characters." | |||||||||||||||||||||||||||||||||||||||||||
| The New Yorker review: | |||||||||||||||||||||||||||||||||||||||||||
| "Walton transforms herself in voice and expression into Louis Armstrong. It's a preternatural accomplishment- Jane Horrocks meets Eddie Murphy." | |||||||||||||||||||||||||||||||||||||||||||
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TorontoStage.com review: | ||||||||||||||||||||||||||||||||||||||||||
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Show
Business Weekly review: |
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"It's the talents of Debra Walton that maneuver the play to places it couldn't otherwise go. Walton's ability to transform from a vocally high young girl to a raspy voiced and physically twitchy nightclub owner is heavenly. When she impersonates Louis Armstrong can you see to what extremes she can take her gift for performance art |
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"Duquesnay's
counterpart, Debra Walton, is equally successful
in her role, or rather roles. As the show is designed for only two performers,
Walton is presented with the challenge of playing a number of different
characters including two versions of Alberta Hunter (child/adult), a record
producer, an old club owner and a surprisingly accurate Louis Armstrong.
Walton's impression of the guttural and resonant
voice that is Armstrong's signature is spot on, and her duet with Duquesnay
on "When The Saints Go Marching In" is one of the best numbers
in the show and is sure to bring down the house every time. Every
character she portrays has his or her own personality and physical characteristics
whether it be a shaky walk, a texturized voice or a specific movement.
This makes it easy to distinguish different characters and also shows
off Walton's skill as a dancer, character actor, and physical performer." |
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| With striking likness, Debra Walton impersonates Louis Armstrong in one of several challenging roles that she morphs with remarkable ease." | |||||||||||||||||||||||||||||||||||||||||||
| Debra Walton as Louis Armstrong stops the show | |||||||||||||||||||||||||||||||||||||||||||
| @ Ken Huth | |||||||||||||||||||||||||||||||||||||||||||
| Niagara Gazette review: | |||||||||||||||||||||||||||||||||||||||||||
| "Debra Walton's role takes skill and articulation that few stage actors posses. She, however has mastered it." | |||||||||||||||||||||||||||||||||||||||||||
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| Cookin' shows off Walton's skill as a dancer, character actor, and physical performer | |||||||||||||||||||||||||||||||||||||||||||
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@
Ken Huth |
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Talking
Broadway review |
Wolf Entertainment review | ||||||||||||||||||||||||||||||||||||||||||
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"One
early, life-defining moment between Walton and Duquesnay (as the young
Alberta and her mother) is heartbreaking, while Walton
- capable of changing her age, sex, and skin color on her slightest whim
- gives a dead-on impersonation of Louis Armstrong for one of the evening's
non-sung highlights" |
"Walton is really something. She is funny portraying Josephson as old and feeble, not an accurate portrait of him at the time Hunter appeared at the Cookery, but nonetheless amusing. She is dazzling as Hunter as young woman or as her entertaining troops for the USO. Her impression of Louis Armstrong is a gem, absolutely dead on to the point where she even manages to look like Satchmo. What can't this performer do?" | ||||||||||||||||||||||||||||||||||||||||||
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NY
Daily News review |
Curtain Up review | ||||||||||||||||||||||||||||||||||||||||||
| "The playwright was lucky to find Debra Walton to take on these multiple personalities. As some performers have bodies like rubber, so it is with Walton's face. Her ability to do men turns into a tour-de-force when she impersonates Louis 'Satchmo' Armstrong. For Barney Josephson, Walton plays the old, white man without even getting out of her young Alberta dress." | |||||||||||||||||||||||||||||||||||||||||||
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"Delightful!
Debra Walton shines in multiple roles. A polished
singer, her humorous impersonations of such Hunter collaborators
as Louis Armstrong keep Cookin' sizzling" |
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Associated
Press review |
New
Yorker review: |
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"Superb!
Brings down the house!" |
"Electrifying!
Exhilarating!" |
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| NJ Star-Ledger review | |||||||||||||||||||||||||||||||||||||||||||
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"Hot stuff! Delicious Entertainment! The big revelation, however, is Debra Walton, a relative newcomer who plays Hunter in her younger heyday plus a bunch of male and female characters. She does them all vividly, with her expressive face, voice and body. The show's highlight!" | ||||||||||||||||||||||||||||||||||||||||
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NY1 TV On Stage review |
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"Terrific!
A rare and thrilling experience in the theatre! And then
there's Debra Walton
with her own mesmerizing talents. There seems
no end to this gorgeous chameleon's ability
to impersonate anyone, from old white Jewish
men to this amazing turn as the great Satchmo. " |
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